Dear Comrade: Not The Next “It” Thing.

Dear Comrade is the brilliance of former Stellastarr* drummer Arthur Kremer. What started as a summer side project two years ago is now a fully developed band of five exceptional musicians with their first EP on its way. Eclectic, classic and honest; Dear Comrade is a band that owns their craft but implements subtleties.

What’s immediately interesting about DC is Kremer’s transition from background to foreground. Through pursuing his own creative ventures, Kremer writes the soundtrack of our lives. The melodies are catchy and heartfelt and just about anyone with a pulse can relate to the lyrics. Although Kremer’s songwriting is easily digestible, he possesses an ability to tie in just enough personal sentiment avoiding the stereotypical rock ballad label.

First on board, Miz Stefani (aka DeX), is a chorus girl stolen from the Reverend Billy Choir. Seized immediately for her impressive vocal capabilities and witty comebacks, “Tango” was their first baby together. It’s Stefani’s batty narrative about a real-life stalker that hooks Tango and makes it rock solid.

Emmett Aiello makes his debut into the music world as the third comrade, and although he is still a little wet behind the ear, Aiello’s guitar leads would never betray him. With a soul for Rock’n Roll, the textured, twanging, grumbling guitars are Aiello’s influence steering Dear Comrade away from Kremer’s Euro-pop tendencies.

Who says you can’t find anything good on Craigslist? Well, Dear Comrade found both drummer, Dennis Lehrer (Autodrone), and ironically enough an old touring buddy of Stellastarr*, Tim Jansen from The Hourly Radio. Now complete with drums and bass, DC is hitting the stage and attracting some attention. Do get excited but don’t expect Dear Comrade to be the next “it” thing, it’s not their style.